Since the 1960ies Jannis Kounellis has created artworks that stand out for their strong physical and emotional force. They consist of materials of everyday life and even incorporate life itself: fragments of the real world, like animals, plants, coal or hair are included into “scenic” situations of unmatched poetry and vibrancy. By overcoming the gap between art and reality, Kounellis has had a lasting influence on the development of art – much beyond the concept of Arte Povera.
Three major works in this development are now the subject of distinctive monographs of Raussmüller Collection. With enlightening texts by Christel Sauer and informative large-scale images the booklets give access to a leading artist of our time and his groundbreaking three-dimensional “images”.
Find out more about the publications in our bookshop.
Bruce Nauman’s first art work using photography, “Flour Arrangements,” from 1966, initiates a far reaching change in the artistic use of photographic techniques. The artist, who influenced generations of fellow artists until today, uses the medium no longer to represent an existing reality. With the present work, he makes photography an accomplice in an extensive artistic process. Instead of a mere form of representation, the medium becomes a wide field of experimentation of artistic practice.
The Raussmüller Collection is showing the exemplary “Flour Arrangements” from March 25 to July 17 in the exhibition “La Boîte de Pandore: Une autre photographie par Jan Dibbets” at the Musée d’Art Moderne de la Ville de Paris.
Get more information about this fascinating art work and its history in our Highlights (including illustration).
The work from the Raussmüller Collection marks a turning point in Marcel Broodthaers’ oeuvre. It is a model for the rejection of an object-oriented art in favour of complex, ambiguous installations. Taken from its original context, the golden front side with the words “Coupons”, “Change”, and “Ordres de bourse” still reminds us of the origin of the counter in the world of money. But the windows are painted over; the look through the glass is blocked. Looking on the back side, we see another picture. The green side of poetry contradicts the first impression: as if it were a market place for poetry, we read “poemes” written by hand over the windows. Seemingly arbitrary combinations of letters on the other windows encourage the search for poetic meaning, while simultaneously contradicting a literal sense. Later, the bank turned from object to being part of a happening, where poets recited poems through the windows to the audience.
A retrospective of the work of Marcel Broodthaers is on view at MoMA in New York until 15th of May. The work from the Raussmüller Collection is prominently featured in the catalogue. After closing in New York, the exhibition will travel to Museo Nacional Centro de Arte Reina Sofía, Madrid, in October 2016, and to the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, in early 2017.
In a series of spatial installations, Urs Raussmüller and Gianfranco Benedetti – both well-known actors in the sphere of contemporary art for decades – show us from April 28 to October 10, 2015 why they consider Kounellis a leading representative of the recent development of art. They have selected works from Kounellis’ oeuvre which they see as benchmarks of a new, pioneering approach to art. More…